The Association for Computer-Aided Design In Architecture

 

www.acadia.org

 

Wassim Jabi, President

president@acadia.org


ACADIA/IJAC 2007 Cover Image Competition

 

Hosted by the Association for Computer-Aided Design In Architecture

In collaboration with the International Journal of Architectural Computing

 

January 3, 2007

 

 

ACADIA Members:

 

It gives me great pleasure to announce on behalf of the Association for Computer-Aided Design In Architecture (ACADIA) and the International Journal of Architectural Computing (IJAC) the winning entry and the three honorable mentions (in no particular order) for the ACADIA/IJAC 2007 Cover Image Competition. The winning entry will be featured on the cover of four issues of IJAC in 2007. First of all, however, I would like to thank all those who have submitted images for this competition. The jury and the publishers were very impressed by the overall quality of the submissions. The entries were judged by the ACADIA steering committee in collaboration with Professor Andre Brown, the editor-in-chief of IJAC and took into consideration the content of the images, their visual quality, and their fit with the technical requirements for an IJAC cover.

 

Winning Entry

 

 

Title: i.Spot

Author: Nicholas Wallin

Project Authors: Nathaniel Cram, John T. Moran, and Nicholas Wallin (alphabetically)

Date of Creation: April 2005

Description:

The image is a top view of a model that was created using the parametric software, TopSolid.  The model was one iteration of a family, created through the utilization of parametrics and laser cutting technologies for a design-build group thesis project (Nathaniel Cram, John T. Moran, and Nicholas Wallin) at the University of Pennsylvania. The systemic solution was developed to respond to local site constraints providing unique design resolutions for unique contextual conditions.  The project's aim was to explore and demonstrate how an integrated process of making, through engagement of digital and physical constructs in a collaborative effort, can inform and blur the distinction between design and production.  A full-scale prototype of the urban kiosk was fabricated and installed on-site in West Philadelphia.  The thesis advisor was Professor Branko Kolarevic.



Honorable Mention

 

Fusion TIFF File

 

Title: It's a Parasite!

Author: Stanislav Roudavski

Project authors: Giorgos Artopoulos, Stanislav Roudavski (alphabetically)

Date of Creation: October 2006

Description:

The image is a digital rendering created for the project entitled "It's a Parasite!" - an experimental practice-based research/art project for the International Biennale of Contemporary Arts organised under the auspices of Czech National Gallery. The pavilion was installed in Prague from 13 June until 11 September, 2005 where it was part of the Performative Space section. The project featured process-based form-finding design methodology, scripted production of building elements, automated logistic processes and computer-driven manufacturing. The pavilion was equipped with a responsive audio-visual field utilising a computer-vision system. The image shows two "shells" suspended in the Museum of Modern Art stairwell. The shells are an assembly of 1560 non-repeating Voronoi cells made of cardboard and plastic film. The image was produced with a range of software including Rhino, Maya and Mental Ray.



Honorable Mention

 

 

Title: Cultural Hub

Author: George Katodrytis

Project authors: George Katodrytis

Date of Creation: July 2004

Description:

Proposal for the Dubai Cultural Hub located on the famous Sheikh Zayed Road, Dubai, UAE. This image was produced with Autodesk Maya (including MEL script).



Honorable Mention

 

 

Title: Digital Exchange

Authors: Gregory Luhan, Kevin R. Klinger, Joshua Vermillion

Date of Creation: October 2006

Description:

The Digital Exchange is a juried exhibition curated by Kevin Klinger, a Fellow at the Center for Media Design in Ball State University's Department of Architecture and Gregory Luhan, an Associate Professor at the College of Design and the Center for Visualization and Virtual Environments at the University of Kentucky and the Conference Chair for the ACADIA 2006 International Conference entitled Synthetic Landscapes. The works exhibited in this catalogue are peer-reviewed and from 189 international entrants 30 participants were selected. The media types vary from digital print, video projection, and modeled exhibition. The exhibit features the creative work of artists, architects, interior designers, and graphic designers and results in eighty-five printed panels, five video projection installations, and ten full-scale installations. The scope of the exhibition centers on the allied relations between practice, academe, and industry that rely extensively on master modeling, visualization, animation, informed formulation, and data distribution. This exhibit allows us to see a range of possible outcomes from tool integration to informative design to full-scale digital fabrication and manufacturing. It is our hope that this exhibition, which offers a glimpse into some of the leading-edge research and projects by academics, industry professionals, and students, will inspire its viewers to innovate further in the near future.

 

Rebuilding Praxis

Digital technology facilitates navigation in and out of the boundaries of traditional architectural practice, and as such has re-scripted our modes of production. As digital technology continues to form key linkages between the ideation process and the reality of production, alternate forms of practice in the design disciplines emerge. Today, designers, fabricators, material suppliers, clients, engineers, and contractors involved in the production process operate within a synthetic landscape that is based upon a digital exchange of bits of information. The space of this exchange continues to evolve, transforming traditional modes of representing ideas into materials that further inform methods of making. As questions that relate to surface, interface, and performance begin to emerge in relation to this digital exchange, it is undetermined which principles will exactly govern the development of the digital model, its resulting form, and spatial quality. Today, designers practice within a performance-based context. Parametric modeling structures can simulate performance early in the design process as information becomes input and freely exchanged. The result offers a wide range of benefits, from better design development to, direct fabrication of highly precise structures. This exhibit does not claim to resolve any of the grand problems of building. It merely offers a glimpse of architectural opportunities that arise with the engagement of digital tools. We hope that this sharing of ideas might give an ever so slight impulse to a redirection of the Praxis of architecture.

 

Congratulations!

 

Best regards,


______________________

Wassim Jabi, Ph.D.

President, ACADIA